He collaborates with publishers, institutions and industries in the creation of photographic campaigns. His photos have been published in monographs, displayed at exhibitions.
In 2010, because of his originality, artistic merits and style, the Black and White Spider Awards Jury – made up of thirty-nine of the most important names in the world of photography – judged him to be one of the best black and white photographers in the world.
His photographs are characterised by his ability to reshape the contours of the reality of things, transferring to them all the subjective feeling that a vision is capable of suggesting. The adoption of black and white photography allows him to work on empty and full spaces, enhancing the absolute nature of matter through the stillness that is trapped within. His photography focuses on the static nature of industrial objects, as well as sculptural and architectural forms, and this is conveyed in the details, almost always hidden, but which once identified, leap out in all their vitality.
Christian Caujolle define Biddau’s work as “part of a tradition characterised by an irreproachable formal requirement, by the framing and relationship with forms, by the image that affirms its originality, by light in her perfection. This requirement comes from the love for the materials and volumes of the objects and at the same time from the search for the structure (fundamental and not often visible) and from those who make these objects.
There is an obstinate desire to put things into order in an attempt to understand them better and give them a meaning by sublimating their appearance”.